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I'm known for disagreeing with all parts of the political spectrum.  Sometimes, though, the majority IS right.

There's a current discussion of sexual harassment at SF cons going on in various fora.  This one has some disturbing specifics:

http://www.annaguirre.com/archives/2013/06/02/this-week-in-sf/

I believe it.

There's news of an editor at a major house getting released due to allegations of sexual harassment on his part, against convention attendees.

I believe that, too.

I haven't commented on any of these fora, because I don't really have anything to add to their comments.  Mine are here. 

Yes.  This crap happens.  This crap should not happen.  Demonstrate some manners, and take no for an answer.  It's not hard.

Back in my youth, there were a couple of times someone had to tell me no.  When they did, I understood what it meant, and left them alone.

I've been fortunate enough not to encounter much of this, partly because I wouldn't hang out with that kind of asshole.  I have seen rudeness and drunken silliness, but nothing that was apparent as sexual harassment, at a con in my presence.  Be assured if I do, I'll ask you to take the crap elsewhere.  Expect that quite a few of us will.

The only significant event I recall was some clown doctoring a woman's drink at one of our parties back in the early 90s.  We showed him the door (which is also an in-joke and worth telling), and invited him not to return.

But, I've seen someone try to "accidentally" feel my wife up at a concert.  He was drunk and "tripped" and fell over our seats, and put his hand out for "support" and "just happened" to catch one of her breasts.  He didn't try again, so there wasn't a lot we could do, but we made sure he was aware that he needed to moderate his intake and actions. (Which is code for saying she offered to settle the matter herself, and I backed her up.)

On the other end, my wife has also been on a field exercise featuring multiple agencies, where a female coworker told high ranking execs that, "She's here because she's a friend of [the male public affairs person]."  There are obvious inappropriate connotations to this.  And in fact, she was there as the only trained combat photographer.  That we've both been friends of that gentleman for two decades isn't relevant.

The annoying part of this incident was that most of the men present didn’t see why this statement was a problem.

Let's see: 

1:  it's untrue

B) it implies unprofessional and inappropriate romantic or sexual involvement between two people

Iii} it demeans the professional abilities and credibility of both parties.

~~~ 

Awareness is part of the solution.

If you see it, offer a polite reminder that the behavior is unacceptable, ungentlemanly and unladylike, and crass to all around.

If someone reminds you of this, be aware your behavior is reaching a level that others don't find acceptable, and moderate your actions.  Stop drinking would be first, followed by going to your room and re-assessing your interactive skills.  There is a line between free expression and asocial behavior. When others don't feel safe around you, you've crossed the line.

If the problem persists, either contact convention management to have them address it.  If this happens, be ready to support the victim as witnesses.  The staff can't do much without evidence.

If getting the staff to do anything is infeasible or impractical, acquire several allies, and deal with it diplomatically.  Accompany the culprit, and politely remind him his (or her) behavior is unacceptable and they should leave.  Repeat this reminder until they return to their room or leave the convention.  It generally takes less than 30 minutes and you can even work in shifts.

Also be aware that there are child predators at conventions. I know of one because at 22 I was just within his range of youthfulness for a doctored drink and a moderately forceful come-on. Fortunately, I am not small, nor weak.  I informed the two conventions he frequented as to his antics, as did at least two other people. I haven't seen him since.

We like a variety of politics, faiths, genres, costumes, presentations, hobbies and acts. 

As Wil Wheaton puts it: "Don't be a dick."

As I put it to younger troops in the military: Ask yourself, "Would I want my grandmother to see photos of this?"

Simple guideline, eh?

Details

Mary Robinette Kowal, self-described professional puppeteer and part time writer, is very upset with some of the drama going on in SFWA at present.  I sympathize with the aggravation.  I spent years in SFWA, and stopped renewing, because of the endless drama and little accomplishment. 

She's very unhappy with several members over their politics, which is an inevitability of an organization.

Now, I understand she's unhappy with Vox Day.  I readily understand that.  His online persona is deliberately antagonistic in ways I don't particularly care for.  But, he IS an SF writer, and meets the criteria for SFWA membership.  He likes to brag about his IQ a lot, but then, MRK likes to brag about her Hugo award.  He and I had a brief go round online, and he even dedicated a couple of blog posts to something or other about me.  It was largely antagonistic, I made my reply, and I stopped arguing, because once you've said what you need to, more ranting doesn't help.  I agreed with him on a couple of other issues, but he's really not of interest to me.  I summarized it in a blog post.  Some of his cheerleaders came over, and with a terrible grasp of statistics told me I should be "humbled" to know someone as brilliant as he.  I explained why they were wrong and ignored the thread.  Done.  And that is how you handle idiots.  I've also done the same with John Scalzi, at least as far as race issues, because if I really want a summary on how race works, Steven Barnes is much better educated, more polite, and actually a minority.  Go figure.

She complains she got hate mail.  Welcome to being management.  Welcome to being a public figure.  If it is in fact the same people constantly, block them.  If you can't, because they belong to the organization you volunteered to represent, you'll have to either deal with them, or find a way within the rules to censure or dismiss them.

But, the internal workings of an organization should be kept internal.  That was always a SFWA policy.  Now we see the petty fights bleeding over into public blogs.  If this is going to happen, then they need to pull the veil off entirely, or else go back to keeping it private.

And she really should, because her own rants are emotional and chaotic, and in good "liberal" fashion, she's delightfully banning from her blog people who disagree with her.  This includes people who've had the temerity to suggest that 1:  there are better ways to address drama than more drama, and B) that SFWA should stick to writing issues, not personal politics.  Some of these suggestions were made politely and diplomatically by authors who've been in the business decades longer than she.  Her response:  Ban them.

I'm really puzzled, because the one time I met her and we were on panels at a convention together, she was a charming lady.  Her internet persona most certainly is not.

I actually contributed little to this debate.  I did try to support Will Shetterly on Twitter, and to make the point that the drama is part of the problem:

Will Shetterly ‏@WillShetterly 4 Jul

@schanoes @sinboy @MaryRobinette The rest of us believe diversity should be more than skin deep.

Michael Z Williamson ‏@mzmadmike 4 Jul
@WillShetterly @schanoes @sinboy @MaryRobinette And once again, SFWA demonstrates why I let my membership lapse.

Mary Robinette Kowal ‏@MaryRobinette 4 Jul
@mzmadmike @schanoes @sinboy What? Because of someone like @WillShetterly, who isn't even a member?

Michael Z Williamson ‏@mzmadmike 4 Jul
@MaryRobinette @schanoes @sinboy @WillShetterly No, because of those who are members. Didn't you just say as much?

Mary Robinette Kowal ‏@MaryRobinette 4 Jul
@mzmadmike @schanoes @sinboy Oh... so you're agreeing with @WillShetterly. That's all right then. I'm glad you're not a member.

Michael Z Williamson ‏@mzmadmike 4 Jul
@MaryRobinette @schanoes @sinboy @WillShetterly Yup. It would be terrible to have dissenting members. Even if they agree with you.

Michael Z Williamson ‏@mzmadmike 4 Jul
@MaryRobinette @schanoes @sinboy @WillShetterly What exactly has SFWA accomplished in the last decade? Other than internet bitch fights?

She's glad I'm not a member.  And that Will is not.  And here's the problem.

SFWA is an organization for American SF writers, or SF writers who publish in America.  She is such, but so am I.  In point of fact, I qualified for membership, and joined a couple of years before she did, with my first novel sold in 2002.  This doesn't even count my prior, non-SF sales.  And, I've published about five times as many books as she.  Will Shetterly qualified a couple of decades ago.  He's published a lot more books than she, too.  Other notable non-SFWA members include Sarah Hoyt, Larry Correia, John Ringo.  And that's just people I know.  There are a lot of well-published authors who never have belonged or no longer belong to SFWA. Brad Torgersen qualifies, and just contracted his first novel.  He's not joining SFWA, either.

So it's pretty damned conceited for a part time writer to look at senior full timers and say, "You shouldn't belong."  (Cue her tired boast of having a Hugo award.  Yippee skip.  That will impress a bank when you need to make a mortgage payment.  Yes, it absolutely is a legitimate award.  It confers no additional credibility on the business end. Someone who is paid professional rates for their writing is a paid professional.  After that, it's all good.)

Now, SFWA is supposed to deal with writers' issues—contracts, the business of writing, the art of writing, appearances.  There are other issues it might address, but most of those are secondary.

During my membership, SFWA made a lot of noise, but accomplished very little.  For example, members spent literally years fighting e-publication, arguing over free promotional content, with some demanding DRM to prevent "piracy," and other such stuff that in recent retrospect was obviously a waste of time, and detrimental to the business of making money.

There were several proposals to revise membership requirements—as it stands, anyone with a novel or three short sales qualifies as a member, even if those sales were 30 years ago.  The market has changed, and what mattered then doesn't matter now.  One proposal was to require one of the sales be within the last 5 years.  It makes sense, and means writers will be more current in the business.  That proposal got voted down vigorously by the part-timers and usedtobes, because that membership is the only shred of credibility some authors have.  And some of them are still arguing over whether or not online publishing is "legitimate."

There was a discussion over a convention having a Guest of Honor who was only "published" by PublishAmerica, a notorious vanity publisher.  A very senior author and officer went on a tearing, frothing rant about how that convention was no longer "credible."  He did this within the privacy of SFWA's forum, well enough.  He did not, however, propose a solution.  I suggested perhaps SFWA should draft a guideline for what constitutes a professional author for such purposes. A guideline only.  His response to me was, "SFWA is not in the business of running conventions."

No?  Then shut the fuck up.  Seriously. 

I presume the same crap is happening now over the debate about sexual harassment at cons (I only hear the SFWA part second hand).  Yes, this is a problem at some cons and with some people.  Is it relevant to the business of writing?  No.  And, if SFWA is not in the business of running conventions, it's rather pointless for them to waste time on it.  Either address the issue productively, or stay out.

There's an issue over "sexist" cover art that presents women in awkward, unrealistic, and often submissive poses. This is a legitimate issue.  The complications are that this requires input from commercial artists—they don't tell us how to write, we shouldn't tell them how to illustrate for the market until we understand that market from the POV of those working in the field.  There's also the fact that such portrayals sell very well in the Romance genre, which is almost exclusively read by women, and in various paranormal romances, same market.  Some members of SFWA have addressed this with blog posts or reposed photos of the cover models.  Okay, so everyone can see how ridiculous they look.  Great.  Now, as a writer's organization, perhaps there's something concrete to be done, such as, oh, I don't know, ADJUSTING THE MODEL CONTRACT TO GIVE AUTHORS MORE INPUT ON THE COVER.  Of course, this will fly in the face of both the artists and marketing, but it would at least get those groups to the table for a discussion, rather than being yet another internet dramafest.

I'd like to see them address the growing crap trend of conventions expecting writers to pay to attend, thus paying for the privilege of educating and entertaining the attendees.  Some conventions insist they can't "afford" a free badge, when the reality is, there is no "cost" involved.  There's a slight reduction in income, immediately recouped if at least one attendee shows up to see said author.  If a dozen show up, the convention is hundreds of dollars ahead.  But this trend continues, and authors should refuse.  Is SFWA addressing it?  Not that I'm aware of.

And that's what SFWA used to do—contract policies, appearance guidelines, criteria.  During the years I was a member, there was a lot of ranting, hand-wringing, and little actual productivity.

And seriously (and I'll name names, since the guilty party is now deceased), when Harry Harrison refers to Daffyd ab Hugh as "Daffy ab Duck" in internal correspondence, it shows neither professionalism nor maturity.  This fine tradition carries on today with various members attacking the politics and thoughts of others on various issues irrelevant to the business writing.

I watched dozens of proposals regarding membership, awards, and other issues fail for lack of quorum.  Everyone agreed that Something Should Be Done, but frequently didn't care enough to vote.  The Nebula Awards, for example—there are dozens of categories (at least it feels that way) with more added all the time.  A novel is defined as 40K words.  This definition was relevant in the 1950s, but no longer. These days, you pretty much have "short work" and "novel."  But they want Novel, Novella, Novelette, Short Story, etc.  Because if there are more categories, there are more potential awards one might win to get that shiny star on the page. So it hasn't changed.  I believe they've even added a couple of categories.  (I may be wrong, but I honestly don't care.)  And then, of course, there were complaints that members WERE NOT READING THE CANDIDATES FOR AWARDS!  Dozens of novels, hundreds of shorter pieces, as well as TV and movie presentations.  I'm not a critic, and I don't have time to read recreationally—I'm busy earning a living WRITING.

The organization became a complete waste of time quite some years back.  It has no power over publishers, does little for the writers, and expends most of its effort in internet bitch sessions.  I have one answer to that: Facebook.  Blogs.  Fora.  It's just not necessary to pay money to join a group to complain, when most of the members are publicly available, and there's no demands elsewhere to fit particular politics to interact.

Just for the record:  Two of my favorite authors to talk with are Eric Flint, who's a Trotskyite, and Tom Kratman, who regards Genghis Khan as a bleeding heart.  Both are educated, literate, fun to debate with, and not assholes.  So please don't whine that this is about my "right wing" politics (since I lean libertarian myself).

Something SFWA should be concerned about and address better is how to assess self-publication for membership, since there are self-pubs these days selling 5000, 10,000 or more copies of their work—well into professional sales levels. That trend is not going away.  The longer SFWA ignores it, the less relevant they'll be, especially if they keep trying to have a political test for entry.  They'll turn into a bunch of bickering, self-righteous elitists, accomplishing nothing and looking quaint and outdated, that working writers don't care about.

Oh, wait. That's what they are now.

I have better uses for fifty bucks a year, thanks. (Apparently, it's eighty bucks a year now.  I can get two good bottles of Scotch for that.)  So be comforted, MRK, I won't be damaging the virgin purity of your organization, which was mine before you came on the scene.

But let's look at what some others say, just for diversity of opinion:

~~~ 

Larry Correia says:

"I don't really have anything to contribute since I've avoided SFWA. I'm not a member because everything I see from them is fairly useless, they've got nothing to offer me, but when they asked me to join it was so that I could "support new writers," but I help new writers now without giving John Scalzi's politicized nonsense any more credibility. I'd join a professional organization to benefit my professional endeavors. If I wanted to join a group that existed to lobby for various bits of bullshit and protest chain mail bikinis, I'd do that instead. Personally, I like selling books in order to pay my bills.

If they are doing good works, I wouldn't know, because I never see any of it past their stupid crap like attacking Mike Resnick for saying a woman was attractive."

Sarah Hoyt says:

"I was a member of SFWA for several years.  In that time I saw it protest unfair contracts (always with small publishers) and I read other people saying how useful preditors and editors list of bad publishers was. However, in the same time, I saw the standard contracts in the industry become worse for writers, including (I signed a couple of these under duress, fortunately they’re now moot) contracts that gave publishers control over what you wrote for other people.  I watched agents going from being writers’ advocates to being more or less outsourced reading departments for the publishers.  I watched the already miniscule standard beginning advance shrink.  ALL of this without a peep from SFWA.  However, once indie was possible and while a lot of us were making money through Amazon, SFWA bestirred itself to take a small distributor’s side against Amazon in a dispute that was by no means clear cut.  That was when I left SFWA.  I’m now very sorry I did.  As the committee to lynch Resnick and Malzberg became the task force to shriek about any sexism past, present and future, I am deprived of a good opportunity to mail back my torn-up membership card with a note about how they’re proving Heinlein’s dictum about a committee being a group with two or more stomachs and no brain."

Brad Torgersen says:

"Well, truth is, I joined in 2011. But after three years, I am going to quietly let my SFWA membership lapse.

"If I had to hang quotes around a reason why, my quotes would hang around this:

“During the three years I've been a member of SFWA, I've seen the organization erupt in several significant ‘turf war’ conflicts that have each seemed (to my sensibilities) to have everything to do with ideology, and almost nothing to do with helping me as a novelist and a short fiction writer protect or advance my career.  I thought SFWA would be my ‘union’ capable of enhancing or protecting my interests.  It's not really been so.  At least in my very limited experience.

“Especially not when I stumbled across an e-mail exchange between several SFWA members who were essentially discussing ways to turf my chances on the Nebula, Hugo, and Campbell ballots in 2012.

“Why should I pay money to remain a member of an organization that seems (too often?) to be infested with personalities who explicitly want to hurt my career?  Or at least want to blunt my opportunities?

“I’m not really upset about losing any of those awards.  I was honored to be among the finalists for each, and I hope nothing but the best for the winners.  I am unhappy with the fact that people in my ‘union’ wanted to hold me back or damage me.  That’s not something I can overlook.  I say this with reservation, because I have friends and acquaintances who have each worked hard (in various ways) to make SFWA a valuable organization.  I laud their efforts.  I just think the efforts of good people are being overwhelmed by the distractions and drama caused by authors who seem more in love with commotion and picking fights, than they do with being writers.”

~~~ 

Many professional and full time SF authors don’t want to belong to SFWA, because they don't see it being relevant or useful to their interests.  SFWA needs to fix that before they try to address other issues.

Details

About a year ago, John Scalzi wrote a post about how "being white is the easy setting in the game of life."

Right there we see that he's assuming middle class, Midwestern Americans, because there are quite a few places in the world where being white won't help you at all.  He's basing his assessment of humanity on his own upbringing in a very nice part of Ohio.  Subjective, and incomplete.

He got flak. You won't find a lot of it because it's the kind of discussion he feels has to be "carefully managed."

He plans to do a followup:

http://whatever.scalzi.com/2013/05/27/in-which-cracked-com-does-a-follow-up-on-straight-white-male/

"Hey, remember a year ago when I wrote a piece talking about how being a straight white male was like playing the game of life on the lowest difficulty setting? And then a bunch of straight white dudes lost their minds about it?"

TRANSLATION:  "I demeaned a group based on their race.  By objecting to this, they're racist, even if they're not of that race."

Actually, no, John. A bunch of people of various ethnic backgrounds, from Hispanic to non-American white to black to mixed Native American and black took issue with it, because it was at best shallow, and at worst a projection of white liberal guilt.  http://www.michaelzwilliamson.com/blog/item/thoughts-and-interviews-on-race-and-culture

Predictably, when invited to discuss the issue further with the above people, in a polite email, Scalzi completely ignored the issue.  I can't presume his motives, but someone did suggest that the purpose of his posts is more to promote his books in the guilt-ridden, white, racist, liberal sellout market than to actually accomplish debate.  To support this, they offered his tendency to "carefully manage" blog comments (newspeak for "censor dissenting opinions").

In fact, even a BLACK liberal writer made several critiques of his position, starting with Scalzi's own self-described "passive-aggressive" approach to never identifying characters' race, so people can "assume" whatever they want, which means, of course, the whites generally assume the characters are white, and in a white-dominated nation, those of other ethnicities do too, because that's the default setting in contemporary America that he mentioned.  In other words, he's not actually doing anything about the problem except whining. 

But for dissenting with him, he seems to presume I'm prejudiced, when I've written POV characters who are identified as female, black, Asian, Hispanic, gay, bisexual, transsexual and even white.  Projecting much?

But note:  His assumption is that dissenters MUST be white, and MUST be angry with the fact that they're privileged.  I do sense projection here, because this is the man who defines "being poor" as being ashamed of a free school lunch, or not paying utility bills on time.  Which sounds tragic to people who saved every penny to move nations, learned new languages, worked in the sex industry to pay bills, stole food from work or simply got no lunch at all, and I know plenty of such, and even fit a couple of those categories myself.  So as I've said before:  I have no doubt from his scribblings that Scalzi played life on the easy setting.  Now that he's gotten rich, he needs to properly excoriate his success to avoid being a bad liberal.

An actual racist (I've met a few) would say, "Well, yes, I've done well, because I'm genetically and intellectually better than those lesser races."  They would have no reason to get upset with his post, because it would tell them exactly what they wanted to hear:  That they're at the top of the heap, awesome.

Now, there is racism in America (why, I don't know.  I'm an immigrant, I don't get it, and as I've said before, you all look like Americans to me.  Most people accept that statement.  I've had a few people, always "liberal," tell me that I don't see any difference because I'm "white."  And 95 times out of 100, it's a white "liberal" who brings up race first.)  And the ways to defeat racism generally come down to treating individuals on their merits, and attempting to correct injustice when identified.

Writing all your characters as default setting whites, shouting "RACIST!" and culling blog posts is probably not an ideal way to accomplish either goal.  I had lengthy discussions with black writers and editors about Scalzi's post, and their concurrence seemed to be that it was shallow.  I'll go a step further:  It was an elitist white male passively-aggressively talking down to others about how awesome he is, but he feels guilty about it, so don't judge him too harshly. 

Sorry, John, if you assume that ONLY white males could disagree, that any dissenter MUST fit that demographic, that your subjective opinion is inerrant, you have the problem. 

Blog posts won't fix it.

Details

No, they didn't.

I just had to cover this with friends who don't believe me.

The story is bullshit from beginning to end.

Okay, NSA information may be in the public domain. It remains, however, "classified." If you download it onto a computer, they can, in theory, have a problem.

This doesn't matter to most users.

_IF_ you have a gov't computer or contract computer with NIPRNET access, you MAY put the stolen classified information onto your secure USAF computer.

At this point, there has to be a nerd slapfight between USAF computer security, assuring NSA computer security, that the information has been removed. USAF can't let NSA search its classified data, and NSA can't take their word for it, and can't tell USAF exactly what is at risk.

IOW, nobody wants to do the reams of paperwork involved in a menage a trois security leak that probably isn't anything to worry about anyway.

So they're saying, "Don't use your controlled access to reference ANYTHING to do with this case."

It's closing the barn after the horse escaped, but it's a necessary CYA.

Feel free to contact the unit (it's a single unit) PAO and ask for clarification.

Oh, and watch for black helicopt

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